In the Tango of Life, we dance in and out of the roles of student and teacher, leader and follower, all with much to share - all with much to learn.
The Rabbit Hole only goes down as far as we are willing to let ourselves venture.
We are given opportunities to experience moments of true valor, recognizing that we are the heroes of our own story. We pull ourselves up out of the mire and muck and consciously choose to stand in the fire of our own evolution.
If we are ever to rise from the ashes, we must first burn.
We also have the choice, along the path; to slow down our own progress by playing it safe and shutting down to personal growth, which is perfectly understandable and necessary for “self preservation” at times.
Hiding feels comfortable; good for a while, but our issues always have a way of showing up and asking us to dance, and sooner or later, if we want change in our life experience, we will accept the invitation.
At some point we will be confronted by the darkness, which for many of us has been keeping us from living our most spectacular life.
We’ve all heard that “it takes two to tango,” and if life is a Milonga, one dance partner who has much to teach us is our own Shadow Side.
The Shadow Self has been asking me to dance for days, and I’ve been avoiding the cabaseo of familiar childhood wounds, which are demanding to be recognized and healed.
It seems much easier to avoid the pain by looking away from the shadow, than to lock eyes and move toward the mirror of self-discovery.
Carl Jung said, “That which we resist, persists,” and The Shadow Side can only be denied a dance for so long.
Eventually, if we want our lives to improve, we must deal with our own darkness.
It is easy to blame others when things go awry. We can point, accuse and blame, but at the end of the day, if we want our lives to improve, we must acknowledge the role we have played in the unfolding of our own story.
The victim archetype is persistent in its demand to be heard, and for years, I identified with the role. It was easy, since I felt “victimized” as a child.
There was abuse, which colors the way I view the world, and there were bright and shining moments that contribute to my joi de vie. I think this must be true for everyone.
To confront the shadow side is to loosen the grip of our internal cogs and move more freely into our best life, but the only way to do this is acknowledge the cabaseo, bravely take The Shadow's hand, and accept the invitation to dance.
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6 comments:
Leela,
Good lord do you have anything of consequence to talk about that vaguely RELATES to Tango at all ?
Not as far as I've read.
Instead you seem to want to whine about what Yung said, or Ken Wilber, or the Sedona Method. I wonder if its occurred to you that you need to have an original idea in your little blonde head, and not everyone else's.
Here's an original thought: Try dancing first! Once you've mastered that, then you can wax poetic about whatever it is you want to whine about. Oh and yeah, Ken Who ??? And why the hell do we care who this guy is, or how the hell the 'sedona method' relates to you personal experience that somehow weeds itself back into tango ? Huh ? It doesn't relate Leela.
Furthermore it may help you to understand the dance first before you place this new age psychobabble bullshit wall around it. Focus on the dance, your dance, your movements, and stop crying about who did what to whom, or what slight may have been intended to you by someone else. You seem to want to place tango in this new age 'healing' bend, instead of what it is, a dance. Tango can be many things to many people but it would help if you actually understood the dance first before you go on and on and on about this or that and then relate that to tango. The simple fact is that you don't know what you're talking about.
It may help you to know the following Leela: You're not anonymous. Not at all. When you walk into the room, most of the leads run for cover. From what I can see, they are being polite when they dance with you. I'm certain that if half of them knew that you had a tangoish blog, they'd run, not walk but run for cover. Most people don't want to be talked about, and they certainly don't want to be classified as having danced with the wacky psycho bitch who's writing tangoish psychobabble that only makes sense in little Leela's wacky mind and how she relates to tango.
Do us all a favor please, just learn how to dance first, and then you can talk about this or that...but only at that point.
Oh before I forget, we have not met Leela, and from what I've heard...I don't want to either.
Dena.
As I see it, tango has many doors. I've been dancing for a while and from what I discovered, many people who have come to embrace the dance, relate to it beyond the dance. I know for a fact that a lot of teachers and dancers have come into this dance after an exhaustive break-up.
Like me, tango has offered a healing process that is quite irresistible. You don't have to be a good dancers to see the healing/spiritual value of the dance — like you don't have to be a painter to understand the wonder of a piece of art. You just relate and allow the process of learning to go beyond the tangible. Ultimately, dancing or anything we do is just another avenue of learning ourselves.
I don't think it's true about guys running away at milongas. For sure, we don't get along with everyone, just like we don't have the best dances with everyone. It's a good thing that there are a lot of people to dance with.
As for the comment of being polite...I wonder how many times did we ourselves receive the "mercy dances". I'm sure I got a lot as a beginner; I'm sure I get a lot when I ask those better than me. There's nothing wrong with being polite because it helps sustain a community. The other direction would be to display our disgust for each other. What kind of community would that lead to?
In truth, we are all there because we NEED community and those who respect the quality of this community will not allow selfishness and petty things to deter the growth of this community.
If tango is truly great, there must be a deeper meaning to it. And those of us who are not blind must also not be mute.
Leela, you are quite unique in your perspective of the dance and sharing your inner most process is indeed a risk. I don't think anyone has any right to be critical of your learning process — specially with such malice and contempt.
You have taught me something and I wish the best in your journey.
J. Abling
I think you are referring to Carl Jung not Yung. Easy mistake to make but one you might want to correct if true. http://en.wikipedia.org/wiki/Carl_Jung.
Lovely posts and ruminations otherwise. Dena knows nothing.
Hi Anonymous.
It was, indeed, a typo of Yung for Jung, :-> Dok!
Thank you for bringing it to my attention, and for the words of support.
Peace,
L
Hi Anonymous.
It was, indeed, a typo of Yung for Jung, :-> Dok!
Thank you for bringing it to my attention, and for the words of support.
Peace,
L
Hi Anonymous.
It was, indeed, a typo of Yung for Jung, :-> Dok!
Thank you for bringing it to my attention, and for the words of support.
Peace,
L
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